Artist Ryota Matsumoto - Cities, Societies & Infrastructures | Carbon Culture Review April 2015

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October 24, 23

art culture 松本良多 architecture urbanism

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Ryota Matsumoto (松本良多) is an artist, educator, designer, cultural programmer, urban planner, and architect. As a media theorist, he is highly recognized as the iconic pioneer of the postdigital culture.

He has collaborated with a cofounder of the Metabolist Movement, Kisho Kurokawa, and with Arata Isozaki, Peter Christopherson, and MIT Media Lab.

Matsumoto has presented his work on multidisciplinary design, visual culture, and urbanism to the 5th symposium of the Imaginaries of the Future at Cornell University, the Espaciocenter workshop at TEA Tenerife Espacio de las Artes, New Media Frontier Lecture Series at Oslo National Academy of the Arts, UCI Claire Trevor School of the Arts, iDMAa Conference 2017, Network Media Culture Symposium at CCA Kitakyushu, and NTT InterCommunication Center as a literary critic and media theorist. He curated the exhibition, Posthumanism, Epidigital, and Glitch Feminism at Machida City Museum of Graphic Arts in 2020.

As a composer, video producer and graphic designer, he has worked with Peter Christopherson of Coil and Throbbing Gristle for Japanese Nike commercial, his album, Form Grows Rampant, and early sessions of Amulet Edition.

His academic career started as a teaching assistant for Vincent Joseph Scully Jr. and his seminar, the Natural and Manmade in 1993. During his visiting fellowship at the Glasgow School of Art, he has been engaged in research on the process of integrated urban regeneration under the guidance of Giancarlo De Carlo and Isi Metzstein. He continued his pursuit in urban studies and participated in seminal research projects with MIT Media Lab and KieranTimberlake exploring high-rise modular housing, sustainability, and design interventions for Dhaka, Bangladesh in 2005.

Matsumoto has served as the MFA lecturer at Transart Institute, University of Plymouth. He works as a research associate and senior consultant for the New Centre of Research & Practice and the City of Dallas Office of Art and Culture respectively. Matsumoto is an honorary member of the British Art Network. He has been active as a guest critic on design reviews at Cornell University, Cooper Union, Columbia GSAPP, Rhode Island School of Design, and Pratt Institute.

Matsumoto is the recipient of Visual Art Open International Artist Award, Florence Biennale Mixed Media 2nd Place Award, The International Society of Experimental Artists Best of Show Award, Premio Ora Prize Italy 5th Edition, Premio Ora Prize Spain 1st Edition, Donkey Art Prize III Edition Finalist, Best of Show IGOA Toronto, Art Kudos Best of Show Award, FILE (Electronic Language International Festival) Media Art Finalist, Lynx International Prize Award, Lumen Prize Finalist, and Western Bureau Art Prize Honorable Mention.He was awarded the Gold Artist Prize from ArtAscent Journal, the 1st Place Prize from Exhibeo Art Magazine, and the Award of Excellence from the Creative Quarterly Journal of Art and Design in 2015 and 2016. His work is part of the permanent collection of the University of Texas at Tyler.

His work, writings, and interviews were published in Kalubrt Magazine, the University of North Carolina Wilmington Journal Palaver, Furtherfield.org, The Journal of Wild Culture, Studio Visit Magazine, Fresh Paint Magazine, H+ Magazine, International Artist Magazine, Made In Mind Magazine, Arizona State University Journal Superstition Review, Creative Review, Creative Boom, Next Nature Network, Rhizome.org, Monoskop, Carbon Culture Review, KooZA/rch, Supersonic Art, Post Digital Aesthetics (Berry and Dieter ed.), Drawing Discourse (University of North Carolina Asheville), Highlike (SEPI-SP editors), and Drawing Futures (The Bartlett UCL), among others.

Matsumoto’s multidisciplinary projects have been exhibited recently at Meadows Gallery University of Texas at Tyler, S. Tucker Cooke Gallery University of North Carolina Asheville, Sebastopol Center for the Arts, National Museum of Korea, CICA Museum, Van Der Plas Gallery, ArtHelix Gallery, Caelum Gallery, LAIR Gallery Lakehead University, Limner Gallery, the Cello Factory, University of the District of Columbia, Lux Art Gallery, Studio Montclair, Manifest Gallery, Center for Digital Narrative University of Bergen, Tenerife Espacio de las Artes, Art Basel Miami, ISEA International, FILE Sao Paulo, Nook Gallery, and Arts and Heritage Centre Altrincham. He had solo exhibitions at BYTE Gallery Transylvania University (2015), Los Angeles Center of Digital Art (2016), and Alviani ArtSpace, Pescara (2017).

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HOME JOURNAL ABOUT CONTACT Home | Journal | Online Content | Art | Artist Ryota Matsumoto: Cities, Societies & Infrastructures Artist Ryota Matsumoto Matsumoto:: Cities, Societies & Infrastructures April 01, 2015 "Those Who Affirm the Spontaneity of Every Event" Mixed Media, Year: 2014, Dimension: 33inx47in "The High Overdrive and Its Undefinable Consequence" Mixed Media, Year: 2015, Dimension: 30inx47in SUBSCRIBE

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"Water, Hinge, Field" Mixed Media, Year: 2014, Dimension: 16inx23in "Surviving in the Multidimensional Space of Cognitive Dissonance" Mixed Media, Year: 2014, Dimension: 32inx43in

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"Stretched into an Infinite Vapor of Spectral Resonance" Mixed Media, Year: 2015, Dimension: 28inx47in "Hollow Ghosts for Those Restless Spirits" Mixed Media, Year: 2015, Dimension: 30inx47in

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"The Indistinct Notion of an Object Trajectory " Mixed Media, Year: 2014, Dimension: 30inx22in The artworks of Ryota Matsumoto develop and demonstrate the

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hybrid/multi-layered process, where varying scale, juxtaposition of different forms, intertwined textures/tones are applied to reflect the spatio-temporal conditions of our ever-evolving urban, natural, and ecological environments. They are created to act as the catalyst for defining speculative changes in our notions of cities, societies and cultures. His drawings explore a hybrid drawing technique combining both traditional media (ink, acrylic, and graphite) and digital media (algorithmic processing, scripting and image compositing with custom software). All the lines, curves and forms are created by algorithmic and generative processes. Then they are redefined and reconfigured with traditional painting/drawing techniques that add colors, textures and details to compositions. Ryota Matsumoto is a principal of an award-winning design firm, Ryota Matsumoto Studio based in Tokyo. He is an artist, designer and urban planner. Born in 1972, Ryota was raised in Hong Kong and Japan. He received Master of Architecture from University of Pennsylvania in 2007 after studying at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s. His art and built work are featured in numerous publications and exhibitions internationally. His current interest gravitates around the embodiment of cultural possibilities in art, architecture, and urban topography. Website: http://ryotamatsumotostudio.blogspot.com Facebook: https://www.facebook.com/ryota.matsumoto.718 HOME JOURNAL CURRENT NEWSSTAND ISSUE ONLINE CONTENT ABOUT MISSION MASTHEAD GUIDELINES REVIEWS SUBSCRIBE TECHNOLOGY CONTACT INTERVIEWS ADVERTISE PROSE CONTACT US POETRY FIND CCR ART ARCHIVES SUBSCRIBE TO OUR MAILING LIST email address SUBSCRIBE © 2015 CARBON CULTURE REVIEW. ALL RIGHTS RESERVED.